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While Harrison is annihilating his school placement exams, getting on the wrestling team, helping Audrey arrange a proper burial for the white buck that Matt Caldwell shot, and battling bullies, Dexter/Jim is fighting with ghost Deb about what to do with Matt’s remains.
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Watching this happen was like watching a black and white movie turn to color. When Zach storms over, chest puffed out underneath his letterman jacket, to beat some ass in a trademark bully-versus-nerd way, Harrison steps in and takes Zach by the throat, immobilizing him while threatening to do that to him every day if he doesn’t leave Ethan alone.
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To help Ethan get revenge on his bully, Harrison makes a GIF of Zach making passionate love to a goat which Ethan fires off in his text thread. He tells him plainly, and fairly, that he’s being catfished and that the text exchange he thought he was having with a boobtacular blonde is actually with Zach, who’s tormented him since grade school, and then calmly eats his lunch which impressively includes a hot dog AND a hamburger. Breezing past the table of popular kids occupied by his crush Audrey (Johnny Sequoyah), Harrison makes a beeline to Ethan, sitting alone, and joins him. When Harrison learns that his new schoolmate Zach is catfishing a loner named Ethan, he wastes no time letting him know. It looks like we don’t need Dexter to provide them for us when we have his kid. These character elements, these flashes of light and dark, are what we’ve been missing from Dexter. Harrison seems to be a happy-go-lucky guy, content with chatting up girls, hanging out with different social circles at school, and nerding out over drones until he needs to right a wrong by stepping up, in broad daylight, to take a bully by the throat.
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But while Dexter had a taste for blood, lurking around Miami and now New York, just waiting for an opportunity to enact his strained form of justice by killing. Where the first two episodes centered almost entirely on Dexter/Jim moping around the small town of Iron Lake, New York, crying into his sandwich about wanting to be a better man and a better father, and then almost immediately killing someone and dissolving into complaints about having to drive his kid somewhere - this episode, “Smoke Signals,” spends a good chunk of run time following Harrison who has, as far as we can tell, grown into a solid and respectable man in just a short amount of living, while also containing a thick streak of darkness, inherited from his dad. Not to drive a nail in the coffin in terms of both murder puns and Dexter Morgan/Jim Lindsay bashing, but it’s worth noting that the best episode out of this first batch of three is the one to feature its titular character the least.
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Warming up after a debut consisting of two relatively tepid and whiny episodes, Dexter: New Blood is chipping the ice on the fun of the original series in episode three.